The last chapter argued that Sebald’s work pre-empts formulaic theorisations of trauma, that his work resists the conflation of literature and traumatic memory. Luftkrieg und Literatur (On The Natural History of Destruction) is a work arising from a series of lectures Sebald held in Zürich on the subject of. Luftkreig Und Literatur (German Edition) [Winfried Georg Sebald, Alfred Andersch ] on *FREE* shipping on qualifying offers. Hard to Find book.
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dictionary :: Luftkrieg und Literatur [W G Sebald] :: German-English translation
Get to Know Us. On the Natural History of Liteeratur Book cover. Amazon Rapids Fun stories for kids on the go. If you are a seller for this product, would you like to suggest updates through seller support?
As for his central thesis: The third part of the book contains his reflections after receiving feedback on the lectures from those who disagreed with his views, with the writer still convinced of his point:.
Would you like to tell us about a lower price? As Sebald rightly points out, the German air attacks on British cities such as the London Blitz and the partial destruction of my hometown, Coventry, in November are well known and have been meticulously covered by many writers, yet the Allied attacks on German cities towards the end of the war, and their devastating consequences, have been relegated to the realm of memory.
Amazon Music Stream millions of songs. As he goes deeper into the subject, he presents the reader with a sobering picture of the reality of the destruction unleashed upon cities like Hamburg and Dresden.
This page was last edited on 12 Decemberat He relies on the written recollections of a few contemporary witnesses, notably Hans Erich Nossack and Alexander Kluge but offers long descriptions of the terrible events in his own even voice. I’d like to read this book on Kindle Don’t have a Literayur
You are commenting using your Facebook account. The ethical question interests Sebald less, however, than the terrible effects of the raids. By continuing to use this website, you agree to their use. Author Index Lizzy’s Literary Life. Cancel reply Enter your comment here One reason for this, naturally, was that having started this game of aerial destruction, the Luteratur were in no position to complain about the unfairness of the attacks:.
While this was untenable at the time, Sebald himself examines the problem, questioning the morality, and the effectiveness in bringing the war towards a conclusion, of the carpet bombing of German cities many of which were dubious targets.
Whether you can completely trust his evaluation of post-war German literature is something people more qualified to discuss the subject than I am can decide amongst themselves. Amazon Renewed Refurbished products with a warranty. Pages to import images to Wikidata All stub articles.
Notify llteratur of new posts via email. From Wikipedia, the free encyclopedia. Amazon Restaurants Food delivery from local restaurants. Sebald claims — in the country which stood at the heart of these terrible events, he believes the war is something which has been more glossed over than taken to heart….
At the time, it was considered to be too depressing and dangerous for a recovering population to be exposed to. The German edition features the long titular essay and the one on Andersch. ComiXology Thousands of Digital Literahur. The third part of the book contains his reflections after receiving feedback on the lectures from those who disagreed with his views, with the writer still convinced of his point: But his conclusion, that this led to a post-war amnesia, is fatally flawed literatuur to his.
He describes exactly what happened during the raids, focusing on the effects lluftkrieg the incendiary bombs, thousands of smaller fires joining to form a hellish conflagration which incinerated people where they stood, sucking the oxygen from the air and lighting the city up to such an extent that it could be seen from tens of miles litfratur. John Banville reviewed the book for The Guardian: One conclusion he reaches is that the steady bombing of civilian areas was actually the result of an unstoppable move towards the idea on the part of the British military forces; having built up the bombs and the capability to deploy them, it was almost easier to use the technology than to leave it idle.
On the Natural History of Destruction – Wikipedia
Then we are shown the aftermath, with refugees fleeing across the country, mentally and physically scarred by the experience, traumatised women carrying the charred, mummified remains of a child in their suitcases… And yet, Sebald claims, despite this widespread trauma and shared experience of the destruction, very little of this is depicted in the literature which appeared in the years immediately after.
Explore the Home Gift Guide. Retrieved from ” https: One reason for this, naturally, was that having started this game of aerial destruction, the Germans were in no position to complain about the unfairness of the attacks: It consists of essays about literature and writers, through which Sebald discusses the German processing of World War II.