New York Times columnist John Seabrook analyzes a cultural landscape in which there are no longer any boundaries between highbrow and lowbrow culture. For Seabrook, the changes at The New Yorker stand as an especially potent example of “Nobrow,” his term for the convergence of culture and. These two twin tendencies of John Seabrook are on obnoxiously full display in Nobrow, his unfortunate book length exploration into the corruption of The New.
|Published (Last):||7 December 2005|
|PDF File Size:||16.68 Mb|
|ePub File Size:||17.64 Mb|
|Price:||Free* [*Free Regsitration Required]|
My Two-Year Odyssey in Cyberspace. I wanted something more serious and less of a reminiscence from a wealthy New Yorker reporting on other wealthy New Yorkers and their friends elsewhere.
The reward is attention and self-expression your identity is in some way enhanced by the culture product you nobdow in ; the risk is that your identity will be overmediated by your investment and you will become like everyone else. Published February 6th by Vintage first published February 15th They can be, and iohn been, criticized.
Nobrow Culture | JOHN SEABROOK
Jun 26, Pierre rated it liked it. What really sustained the old distinctions between good taste and bad, high culture and low? This class, one of a series of lectures organized by a dissident, French-influenced, anti-F. This is mobrow interesting, anecdotal look at one writer’s experience with trends and advertising in the magazine industry.
Nobrow: the culture of marketing, the marketing of culture – John Seabrook – Google Books
Little to no thought is given to the public, the consumers, the formerly? Jobn said, seems like Seabrook got to talk to a lot of cool people during his career as a w Meh. Quality is no longer very closely related to price, at least in fashion and furnishings. The craftsmanship and style of the goods sold at Nine West as well as in Banana Republic and Pottery Barn are so much better than the goods from a Korvettes or a K mart, or the other discount stores in which Tuchman might have experienced aesthetic discomfort in the late seventies, that comparison is hardly possible.
What sustains them now? Combining social commentary, memoir, and profiles of the potentates and purveyors of pop culture—entertainment mogul David Geffen, MTV President Judy McGrath, Snoop Doggy Dogg, Nobrow high-priest George Lucas, and others—Seabrook offers an enthralling look at our breakneck society norow culture is ruled by seabdook unpredictable Buzz and where even aesthetic worth is measured by units shipped.
The actual cultural analysis seemed very naive and rudimentary. He’s right, to an extent: Oct 29, Laura rated it did not like seabrpok Shelves: Enjoyable but mostly pointless. Has some pretty interesting comments about the mythos of the artist as ‘a special being,’ equating it with a sort of value-added aspect nobrwo art when art subsumed into the market. A lively ethnology of a strange society that is devoid of culture in any classical sense, one whose wayward press enthusiastically celebrates what looks more and more like a mosh pit.
Meaning, if course, you must be perceptive enough to distill and universalize wisdom from page after page of very narrowly-constructed framework read: And this is the foundation of a new common culture of coolness. As a Seahrook Might Be The recurring, and often conflicting, narratives So having expected a work on sociology I was surprised to find this was just as much memoir, and that the anecdotal evidence that prompted the philosophical meanderings were all born of Seabrook’s life experiences, especially as a writer sesbrook The New Yorker.
Jan 10, Carrie Andersen rated it liked it.
Finally, Seabrook expresses the view that the cultural distinctions of yore were merely “an upstairs downstairs affair … arranged to protect the real artists from the ravages of the commercial market place.
Feb 06, Pages.
What does that mean? Overall, it’s a thought-provoking read, but, like most stories of its kind, it tells an interesting story without real empirical support.
Of course it’s been years since I read it, but this is the book which describes an interview for a job at MTV: I was somewhat shocked at his response. This review has been hidden because it contains spoilers. In Nobrow, judgments about which brand of jeans to wear jogn more like judgments of identity than of quality.
Combining social commentary, memoir, and profiles of the potentates and purveyors of pop culture—entertainment mogul David Geffen, MTV President Judy McGrath, Snoop Doggy Dogg, Nobrow high-priest George Lucas, and others—Seabrook offers an enthralling look at our breakneck society jogn culture is ruled by the unpredictable Buzz and where even aesthetic worth is measured by units shipped.
While it did have some interesting insights on things like Star Wars, it was very repetative in everything it said, and most of the chapters made no sense at all to me. This is an interesting, anecdotal look at one writer’s experience with trends and advertising in the magazine industry. He discovers that “the audience is at least as interesting to look at as the art is, seabrooj it seems to be aware of that.
Manufacturing has improved; the principles of good joohn have spread. Mostly, too rambling, like a witty journal entry when I wanted Seabrook to make his points, lay down his bottom lines.